The tenth track on IGOR, “GONE GONE THANK YOU,” has a multi-part structure like all of his tenth tracks as Bastard Cullen Omori’s “Hey Girl” is sampled in the chorus of the song “GONE, GONE.” Tatsuro Yamashita is a well-known Japanese city pop musician, and his song “Fragile” features lyrics and a melody that are heavily incorporated into “THANK YOU.”
While Tyler thanks his partner for their love in “THANK YOU,” he contemplates losing their passion in “GONE, GONE,” a song debated throughout the album.
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Gone Gone Thank You meaning
Tyler’s “Gone, Gone/Thank You,” Eight counts of intense bass at the beginning of The Creator, really grab your attention. However, the bass doesn’t return until the chorus. Bass, drums, vocals, piano, cowbell, electric as well as acoustic guitars were among the instruments I heard.
Two significant changes were made as well. Their opening soundscapes are very distinct for each of them. One occurred at 3:56 and the other at 4:36. At 4:36, the soundscape changed to a dreamier one with a more electric keyboard. The song’s dynamics were in the mezzo-forte range.
Changes to “Gone, Gone/Thank You” With each song segment, Tyler, The Creator creates something new. He starts feeling down because someone left him and believes all his love has been lost. He finds peace in the middle after realizing why the relationship didn’t succeed in the first place. He concludes by expressing his gratitude for “the love and the joy,” but he also declares that he is “never going to fall in love again.”
This song touches on the final two stages of grief, acceptance as well as depression, which are both crucial for achieving inner peace. It’s a fantastic piece of art with excellent bluesy, R&B, techno, rock, rap, and alternative sound infusions. The song “Gone, Gone/Thank You” perfectly illustrates how various musical genres can coexist and how multiple feelings can be expressed through different sounds that may not make sense but, combined, can result in true art.
This creation is far from perfect in a human sense because this song functions like a human mind. Tyler, The Creator is currently very popular, and this is because of the song’s imperfections, which make it more relatable to human ears.
I feel like I’m sinking beneath the sea, unaffected and unconcerned by any issues as “Gone, Gone/Thank You” ends, and everything is once again clear. I feel like I’m in space, gazing down at all my issues as I watch life go on.
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Review Gone Gone Thank You
The tenth track from Tyler, The Creator’s IGOR album was made public in May 2019. The song is divided into several sections, miming the intricate design the artist uses to create each of the ten songs on each of his albums, beginning with the Bastard album.
The song’s first half features a sample from Cullen Omori’s “Hey Girl” in the chorus. The song’s second half resembles the lyrics and melody of Tatsuro Yamashita’s song “Fragile,” by a well-known Japanese pop artist. As a vocalist, CeeLo Green participated in the recording of the song “GONE, GONE.”
We are prepared to provide you with some textual commentary so you can understand better what Tyler, The Creator is referencing in this song.
- Tyler starts singing about “summer inside the middle of December” because his lover could provide him with an overwhelming sense of joy when it appeared impossible. In the past, Tyler has used the months’ names to symbolize difficult times in his life. Perhaps the best example is the song “November” from the album Flower Boy, in which he reflects on his best moments.
The songs “December” as well as “November” can be compared in the context of the preceding (which indicates that it is about a specific time in Tyler’s life), or even the analogy is used to highlight how opposed he and his beloved are. Tyler’s remark about whether or not it was “[his] August” indicates that he might have been in a different life circumstance than his partner when he felt these emotions. This explains why their relationship ultimately failed, as stated in the following line.
- Birds typically migrate to warmer climates as winter approaches. According to Tyler, The Creator, his lover “finally” left him and his “December” cold winter by flying south. This suggests that they parted ways.
Tyler is probably paraphrasing the famous poem “In Memoriam:27” by the great English poet Alfred Lord Tennyson when he says, “At least I had it – it’s better than not having it.”
Tyler acknowledges that he is happy that his emotions have vanished, but he also considers whether admitting this fact out loud is extreme or even “dramatic.” Is he prepared for some bittersweet feelings, or should he be happy that he loves this person? Afterward, in the song “THANK YOU,” he will provide his response to this query.
- Tyler’s attitude is established by Jerrod Carmichael’s “WHAT’S GOOD” ending: I’m not sure which is more challenging: letting go or giving up.
Tyler accepts that he has no control over this relationship and that neither success (‘sunshine’) nor failure (‘it’s raining’) can be predicted. This conflicts with earlier songs like “NEW MAGIC WAND,” in which he refers to the slaying of his friend’s girlfriend.
In contrast, he seeks to avoid refusal in the song “A Boy Is a Gun” as well as begs his favorite to stay on any terms in “PUPPET.” The emotionless song “I Don’t Love You Anymore” by Tyler, who is hurt, captures these feelings (or lack thereof). Even though he says here, his love is left behind.
- Most likely, Tyler is alluding to the song “Pothole” from his 2017 fourth studio album Flower Boy, which features Jaden Smith.
Tyler claims that, as a result, he completely disregards the counsel of experts in particular fields. He may worry about his significant other’s feelings and whether she’ll get wet in the infrequent rain since he is in love or since he is paranoid but doesn’t trust meteorologists or even other experts. Alternatively, he may claim that he worries about these things because he is experiencing emotions he has never experienced before.
- Tyler, The Creator describes how a situation develops using construction terminology. He first understands that, as evidenced by the song “GONE, GONE,” he and so this girl had different “plans” or life objectives. Although Tyler’s lyrical hero could see that the girl was not truly free, he believed that because she accepted him, he had been given “permission” to pursue a relationship. The movie “NEW MAGIC WAND” illustrates this concept.
The lyricist of this song probably regretted turning the “bridge” between Tyler and this character into a fence, so Tyler was locked and cut away from the outside world.
As a result, Tyler lost his relationship, as well as “building”, plans for a new tenant, the girl the man was seeing. Once “paying the rent” on the old place no longer makes sense, Tyler decides to buy another place or begin a new relationship.
- Tyler also promotes commitment to oneself and sincerity in interpersonal interactions. He has some misgivings about the subject of his adoration, in part because his rival conceals his true self. A BOY IS A GUN, a song, illustrates this.
Tyler is nonetheless appreciative of everything they had but besides this. Or the musician might want to express his happiness at staying true to himself, notwithstanding his partner’s restraint. Tyler isn’t ashamed to confess that he’s anxious for that love, as evidenced by songs like “NEW MAGIC WAND.”
Tyler’s pronunciation of “peace” is strikingly similar to that of another Californian rap artist, Ab-Soul, in the song “Beautiful Death.” The title of the above-said song is also a metaphor for what’s currently happening in the story; Tyler’s relationship with his lover ended in part as one of them never was honest, but Tyler was simply happy to have gone through it. In other words, a stunning demise.
- Several takes of the track are typically done when recording vocal harmonies in a studio to get the best result. Most likely, a producer, engineer, and vocalist will have a conversation like this while recording. Such minute technical insertions into Tyler’s works are common.
The background of the album and song, however, alters the meaning of these lines. Tyler is questioned about whether he wants to resume the relationship he talks about in the album. He responds, “Everything.”
This could imply that he wants a second chance to experience this relationship so that he can make different choices. They often fix errors and enhance the vocal part once recording a new take in the studio. Tyler might discuss his desire to change some of his actions (make different choices) to prevent love pain.
The response “everything” may also indicate that he wants to keep reliving this relationship as is, with no modifications. He ultimately suffered pain but wouldn’t trade a single aspect of this experience. This helps to explain the song’s second half, “THANK YOU,” in which Tyler expresses gratitude to his ex-partner for all their positive aspects. In a more pessimistic scenario, he might not want to change the relationship because the suffering he experienced after the breakup has taught him not to ever be in love again.
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