The tracklist for Tyler, the Creator’s album Call Me If You Get Lost has been made public hours before it is available for streaming. Tyler has indeed teased the follow-up to 2019’s IGOR by establishing a shady hotline in which fans can listen to new music in advance. Among other visual teaser trailers, he also debuted a self-directed music video for the song “Lumberjack.” At midnight, Call Me If You Get Lost is released. Here is a list of Tyler the Creator Call Me If You Get Lost songs.
Mixtape host DJ Drama makes an appearance during a sparse piano as well as oboe-led intro, and Tyler speaks during a passage that discusses opulent travel.
The intro track, which is solemn but focused, informs us that Tyler is ready to tap. Additionally, DJ Drama is here to tell you twice if that isn’t enough.
The album’s dual themes focus on individual success as well as insecurity is established by this dark and erratic hip-hop track with heavy bass as well as piano.
Tyler, however, isn’t playing around. Never before in a Tyler song has the bass dropped so drastically. This is a real slapper, and DJ Drama’s back-and-forth movement is excellent. Tyler rides the tempo with accuracy while stealing flows from his favorite musicians.
The album’s double thematic concentrate on personal success as well as insecurity is established by this dark as well as erratic hip-hop track with heavy bass as well as piano.
Tyler has previously stated that one of his favorite tunes of 2020 was the immediate Covid classic “We Paid” by Lil Baby as well as 42 Dugg. Tyler has Dugg reoccurrence that flow before adding some obnoxious horns as well as percussion to the background. The track has a strong mixtape vibe from Tyler’s time with Odd Future. Tyler praised 42 Dugg’s abilities: “Detroit men are so talented, then. Very specific and thorough.”
The track begins with the ridiculous pick-up line, “Aw, you look malnourished/get Let’s some bread, fry the egg yolk, as well as drown it in syrup,” showing that the artist is staying true to oneself. Tyler’s discussion of women in Goblin differs significantly from how he does so now.
No one could have anticipated that YoungBoy Never Broke Again would be as successful as it has been. We already knew that Ty Dolla $ign would shine over the 90s-style R&B soundtrack that drives this Tyler the Creator Call Me If You Get Lost song.
It feels like Ma$e must be showcased on this lush 90s R&B track. Tyler uses Ty Dolla $ign to assist him to hit some of these epic harmonies, as well as bringing his vocal prowess from Igor with him. YoungBoy enters the scene with a smooth verse and rips through the beat like that has never been. Tyler starts with a strong hook. This has a chance of becoming a radio hit. This is one of the best Tyler films ever, even if it never gets played on the radio.
Of all the tracks on the album, Tyler might not have chosen a better one to serve as the first single than this one, which was published about a week before the album’s release. We get an acerbic beat that is more evocative of pre-Cherry Bomb, which will surprise anyone who thought Tyler had turned soft upon IGOR.
In “LUMBERJACK,” Tyler gives a natural flex to all his detractors by boasting about his wealth and accomplishments. This the Creator Call Me If You Get Lost songmakes the top 5 even though, in just two songs, Tyler sings about how having all the money in the world doesn’t make him happy in “MASSA.”
This is the first of them all. This song is vital to the album’s mood thanks to its complex flow and good lines that can be quoted. Here, Tyler raps hard to demonstrate that he still has it. Remember that Kendrick noted Tyler as one of the rap artists on “Control” in 2013? On this song, throughout the entire album, Tyler reminds us of why.
Hot Wind Blows
A jazzy hip-hop track with piano and flute that features Tyler and Lil Wayne trading dense, double-entendre-filled verses.
Tyler and Wayne have always gotten along. They have always gotten along, whether they are “Smuckers” or “Dropping Seeds.” Tyler adds a thumping beat that is exhilarating and has enough bass as well as drums to shake the tree. Weepy F launches himself over a silky piano line from Wolf Haley as he persists in his epic run of success of guest appearances.
Both feeling and flow are essential to a rap album. Tyler brags while also being open about just how his travels saved his life. This song is unquestionably the most distinctively goblin-like on the entire album. The song’s sleek, sparse beat puts the emphasis where it belongs on the cadence and lyrics. They are real and downbeat, which would be typical Tyler in 2011.
This song is among the more enjoyably surprising as well as appealing ones on the album. Tyler’s attempt at mumble rap inevitably comes together thanks to the synth, horns, and ad-libs, despite not having a particularly catchy beginning. Tyler has a talent for fusing sounds that makes what should be impossible sound easy. Hip-hop music that is happy and upbeat, featuring a sizable brass band.
Tyler uses this opportunity to criticize modern society in what is arguably the album’s greatest intriguing song. He provides his unique viewpoint on unity as a gay rights supporter and African-American man. A nice gangster path results from his invitation to Domo Genesis, a fellow lyrical superstar and senior head of Odd Future, for just a duel.
Being terminated from Twitter truly isn’t a big deal once you’ve been blocked from three countries.
Tyler discusses the specifics of his past and how he overcame them, but he also discusses the Black Lives Matter movement as well as the demonstrations that will take place in the summer of 2020. (and now). You should comment on phrases such as “Lil white bitch gon’ say.” Tyler’s response reveals, “You need to say a little about black- Bitch suck my-,” who has been pressuring him to speak up. Tyler doesn’t care if Twitter cancels him because he has experienced numerous protests during his performances. Tyler will always speak “with his chest out” if he is going to say anything. In addition to having a killer beat as well as an exciting collaboration with Domo Genesis, “MANIFESTO” once more gets very introspective about Tyler’s struggles.
Sweet/I Thought You Wanted to Dance
This Tyler the Creator Call Me If You Get Lost song is by far the most gorgeous one on the song. Tyler gives us just a funky, soulful, jazzy, as well as stunning track that takes us back to the times by the lake while doing his best Silk Sonic impersonation. The singing duo Tyler as well as Brent Faiyaz is incredibly distinctive. The song’s part 2, which has a melody with just an island feel, features Fana Hues singing fervently. This song is conducted gorgeously. A two-part song that starts with a smooth synth-pop cut and then switches to a stilted dancehall finish.
This song gives us a glimpse into Tyler’s conception, enabling us to understand where Tyler ended up getting his sense of humor. The fact that Mrs. Haley has her boy’s back is lovely and funnier than any. A two-part song that starts with a smooth synth-pop cut and then switches to a stilted dancehall finish.
On this Tyler the Creator Call Me If You Get Lost song, Tyler continues to teach himself hip-hop. Daisy World contributes vocals, and Jamie ZZ provides a guest production. Over a clanging guitar line, Tyler lays down a triumphant verse. Tyler lists and defends his merits in a track with drums and synthesizers.
The album’s second series provides a retrospective of the entire event. Tyler talks about his writing, producing, romantic life, the success of Camp Flog Gnaw, golf clothing, etc. During this brief intermission, Tyler considers his blessings in life.
Tyler hands his kids the mic after supplying a grimy trap beat and powerful bass. Uzi enters with a harsh verse regarding women as well as Bugattis. Skateboard P enters sometimes nastier as well as sounds extra convincing since he did in his “Move that dope” verse, a rapper Major Tyler has influenced. As customary, Tyler makes this silly, zany, as well as eclectic jumble work. The little posse cut is adorable and definitely shines. A distinctive trap song with Lil Uzi Vert and Pharrell that is largely devoid of a melody.
Tyler, the storyteller, is back. Tyler can, in great portion because of Wilshire, start taking us on personal journey back in time as he attempts to keep following a passion of his. Tyler serves as an example of how difficult it is to love a person who doesn’t return the favor. He is both envious as well as adoring.
With just under nine minutes, “WILSHIRE” is the second-longest song on the album. This song explores Tyler’s difficulties in romantic relationships. He shares a tale about dating a woman already in a relationship. The entire story is told in the music, which begins with him saying he “knew it was something” the day he met her as well as ends with him trying to call her to avoid breaking things off badly. With its sound as well as intensely personal details that prevent it from being something broader viewers can relate to like in IGOR, Tyler’s treatment of this song is evocative of Flower Boy.
The objective is what DJ Drama described. As the disc comes to a close, Tyler’s continued aggressive rapping caps off a truly outstanding rap song. Thanks to Wesside Gunn as well as Jay Versace specimens, this song has a “Pray For Paris”-like vibe. But there’s nothing wrong with that!
A slow outro with a trumpet and aggressive bars that ends suddenly. Tyler’s production skills have been honed over the past ten years of consistent contribution to music, and his access to a diverse sonic palette is evident throughout the project. The final product is a detailed, well-made project that makes for an engaging, as well as enjoyable, listen when merged with sharp songwriting and lyricism.