Tyler the Creator hits the nail on the head with his most honest and accomplished album, Flower Boy. This album explores the angst of a missed opportunity, the pain of unrequited love, as well as navigating adolescent boredom. Tyler the Creator Flower Boy has many interesting facts.
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Tyler the Creator Flower Boy – The tracklist
For most of 2017, Tyler the Creator has operated in silence. For a week countdown that had fans going crazy, Tyler revealed that his show, NUTS + BOLTS, would debut on VICELAND in the first few days of August. On social media, he announced the information that his followers had already been anticipating since last week. The former leader of Odd Future will release Flower Boy, his 4th studio album, on July 21.
There are two covers included with the album. One, created by Eric White, depicts Tyler facing away from a field full of bees and flowers. Another book’s cover features a plain photo of a bee that appears to belong inside a science textbook. Additionally, there are 14 tracks on the album, which is divided into two sides. See the list of tracks below:
- Foreword
- Where This Flower Blooms
- Sometimes…
- See You Again
- Who Dat Boy?
- Pothole
- Garden Shed
- Boredom
- I Ain’t Got Time!
- 911 / Mr. Lonely
- Dropping Seeds
- November
- Glitter
- Enjoy Right Now Today
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Tyler the Creator releases the vinyl for Flower Boy
The availability of Tyler the Creator Flower Boy album on cassette, was announced in July of that year. There is currently a vinyl edition of Flower Boy for sale.
The Tyler the Creator Flower Boy vinyl bundle costs USD 30 and includes two bumble bee stickers and a digital album copy. It will take eight to ten weeks to ship to customers after it goes on sale through July 27.
The digital album, a bee sticker, as well as an enamel pin, are all included in the $20 cassette bundles, which would also take six to eight weeks to arrive. To order the album on vinyl or cassette, go to the Golf Wang website.
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What makes the album Flower Boy unique?
About the album
Tyler the Creator Flower Boy album is an awakening. On Tyler’s fourth album, sexuality, artistic freedom, as well as economic empowerment are all over the place. Still, it couldn’t have happened without the awkward phases that brought him to this point. Problematic lyrics from previous years remain. Every great Tyler beat is frequently followed by an experimental instant that goes nowhere. Puns from early 2009–2010 have become stale, like an avocado in a closed Chipotle.
Tyler, The Creator reflected on his “favorite moments” from Flower Boy as he marked the album’s fifth anniversary in July 2022.
The founder of GOLF le FLEUR expressed his appreciation for songs like “Sometimes…” as well as the final three songs of “November,” “Glitter,” & “Enjoy Right Now, Today,” and more specialized elements like Estelle’s bridge on “Garden Shed,” in a Twitter post to his 9.5 million Twitter followers.
He wrote on Twitter, “my favorite FLOWER BOY moments.” Occasionally; music under the first four bars of the second verse of “Pothole;” the “Find the Words” segment of “Garden Shed;” the second half of “I Ain’t Got Time;” “Dropping Seeds/November/Enjoy Today as a Whole; Glitter Second Half Harmonies.”
Tyler has a special place in his heart for the entire album. In another tweet, he said, “flower boy changed it all for me. Thank you, everyone, for your ears.”
Tyler, The Creator proceeded with the Instagram fifth anniversary celebrations by posting numerous videos of the making and release of the album on his Instagram Stories.
One of them involved Steve Lacy as well as Anna of the North practicing “911/Mr. Lonely” in preparation for their appearance on The Late Show. Along with clips of A$AP Rocky, Frank Ocean, and Jaden Smith, as well as other artists recording their backup vocals in the studio, Stephen Colbert also featured his Flower Boy interview with comedian Jerrod Carmichael.
Additionally, Tyler shared a text message in which Pharrell commended Tyler on “911/Mr. Lonely,” topping Spotify’s Viral 50 chart.
Following the underwhelming reception to his earlier albums, 2015’s Cherry Bomb, Tyler, The Creator experienced a critical and commercial comeback with Flower Boy, which featured appearances from Lil Wayne, A$AP Rocky, Frank Ocean, and much more.
Tyler’s highest-charting project just time, the album made its debut at No. 2 on the Billboard 200, and it received a Grammy Award nomination for Best Rap Album in 2018.
HipHopDX gave the album a 4.5 out of 5 ratings and praised its sonic coherence, lyrical introspection, and general maturity, demonstrated by Tyler’s unexpected allusions to his sexuality.
The success of Tyler, The Creator after Flower Boy was released, was also made possible. As a result of his 2019 follow-up album, IGOR, reaching No. 1 on the Billboard 200 and winning Best Rap Album at the 2020 Grammy Awards, he received his first Grammy.
With the release of his DJ Drama-hosted, Gangsta Grillz-inspired CALL ME IF YOU GET LOST in June of last year, Tyler accomplished the same feats. His commercial prowess was further demonstrated by the album’s accompanying tour, which brought in more than $32.6 million in ticket sales to become the top Hip Hop tour since the COVID-19 pandemic.
Year-end rankings and awards
* Year-end rankings
| Publication | List | Rank |
| The Wire | Top 50 Releases of 2017 | 18 |
| Slant Magazine | The 25 Best Albums of 2017 | 14 |
| Pitchfork | The 50 Best Albums of 2017 | 8 |
| Pitchfork | The 200 Best Albums of the 2010s | 120 |
| Paste | The 100 Best Albums of the 2010s | 96 |
| Now | The 10 best albums of 2017 | 7 |
| Noisey | The 100 Best Albums of 2017 | 5 |
| Noisey | The 100 Best Albums of the 2010s | 53 |
| NME | NME’s Albums of the Year 2017 | 19 |
| Exclaim! | Exclaim!’s Top 10 Hip-Hop Albums of 2017 | 6 |
| Complex | The Best Albums of 2017 | 6 |
| Billboard | Billboard’s 50 Best Albums of 2017 | 29 |
*Awards and nominations for Flower Boy album
| Ceremony | Year | Category | Result |
| Grammy Awards | 2018 | Best Rap Album | Nominated |
>>> Read more: Top 7 Tyler The Creator albums that ranked worst to best
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Tyler the Creator got the name of the Flower Boy album tattooed on his body
One such person is Tyler, who is well known for making sure to have the names of each of his albums permanently inked on his body. Tyler has the identities of his album, Flower Boy, that were published in 2017, tattooed on the top of his left thigh. Tyler the Creator Flower Boy tattoo is so impressed.
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What does Tyler, the Creator convey in Flower Boy?
Tyler’s change of direction is symbolized by Flower Boy, a collage of nostalgia as well as daydreams which trades bratty deception for self-evaluation and self. Flower Boy is both exquisitely colored and remarkably meditative. He examines the elements that shaped his psyche, such as loneliness, isolation, and other disorientation, and focuses on outgrowing relationships in order to strike a balance between the pull of nostalgia and even the desire for growth. “Find Your Wings” is Flower Boy Tyler’s most provoking song and also: The Album too is his broadest work. On “Where This Flower Blooms,” he raps, “Tell these black children they can be who they are,” as he develops into the musician he’s always wanted to be—or perhaps always was.
Cherry Bomb, in its attempt to recreate an N.E.R.D. album, essentially imploded. However, it didn’t entirely shed Tyler’s old persona, for songs about jerks and underage relationships joined forces. His raps were frequently pointless competitions between children, snobbish hand-wringing directed at homebodies as well as the working class, and ferocious rants directed at no one in particular. There had been love songs, but they were childish and occasionally downright spooky. His shock raps were now sloppy and toothless due to the passage of time.
On the other hand, Flower Boy is transformative, infatuated, and penetrating. Tyler finally reaches the core of the concepts he’s been chiseling away at the entire time: the frustration of a missed opportunity, the agony of unrequited love, and navigating adolescent ennui. These are uplifting and sincere songs about discovering who you are and looking for a partner who fully values you.
Tyler spends a significant portion of Flower Boy pursuing his “’95 Leo,” arriving out as a result. “Garden Shed,” an inward-looking sexual experience that transforms an extended metaphor into a watershed moment, serves as both the literal and metaphorical centerpiece of the album. This realization, as well as the subsequent romance, leads to Flower Boy. He records love songs for him (“See You Again”), sends him voicemails (“Glitter”), and looks for solace in human interaction.
There will be much discussion about what precisely this means for a rap artist who once said crudely, “If Tegan and Sara Need Some Hard Dick, Hit Me Up,” in response to a public letter from Sara Quin critiquing his homophobic statements and deeds and those who endorse them. His use of gay slurs at critical points in his career has frequently been shameless and unrepentant. While these acceptance rates don’t excuse him from past hate speech, they depict a young introvert who is confused and tactless in crisis.
Tyler seems not to be rapping to make things right but rather to be understood, no matter how hearers perceive this conflict. Through the use of flashbacks as well as love songs, Flower Boy delicately untangles a tangle of deeply personal as well as arduous thoughts and feelings.
These songs are Tyler’s most accomplished to date because they are so subdued, reflective, permissive, as well as relatable. They form an incredible kaleidoscopic soundscape when combined. His production is unlike anyone else in the market right now, with brilliant outlier orchestrations and unpredictable chord changes adorned by choruses of angelic voices, despite still clearly drawing inspiration from the Neptunes.
His most beautiful works include “Garden Shed” and “Glitter.” With the help of subtle Pharrell vocals, “Enjoy Right Now, Today” goes one step further by omitting the lyrics entirely. The listener is seemingly led outside by the title and the warm interior. “Who Dat Boy” & “Pothole” are two songs for people looking for punchy, Bastard-Esque rap.
Tyler has, in the past, released bloated, disorganized albums. Compared to the typical Tyler album, Flower Boy is 17 minutes shorter and features more subtle transitions with less disarray and chaos. He has a reputation for overanalyzing or overdoing it with his compositions, adding unnecessary attachments and embellishments, tagging on eight-minute posse cuts, and putting together songs that don’t go together. These songs retain his tinkerer’s spirit without sounding overly sentimental.
Although his work is motivated by ambition, he restrains it by making it easier to listen to and more streamlined. The two standout songs, “911 / Mr. Lonely” as well as “I Ain’t Got Time!,” are expertly arranged with gorgeous parts that seamlessly blend together. Two intriguing artistic choices include pitching the halves of “Glitter” at various frequencies or using “See You Again” as a broadcast request song. The song “I Ain’t Got Time!” is juxtaposed with “Boredom,” which is about finding time, and the latter song is abruptly ended to take a phone call. Whereas earlier attempts were jumbled, Tyler’s work now has a new elegance.
Although it would be a stretch to describe Flower Boy as penitent, Tyler pursues integration via confession, and the album is undoubtedly conscious of past wrongs. People have questioned when Tyler would “grow up,” and while the term “mature” feels ambiguous when applied to the rapper-producer, evolution is going on. The focus here is on the liberating effects of thoughtfulness, not the efforts made to make sense of a murky past, as Flower Boy demonstrates. Tyler, the Creator travels a path of self-discovery and approaches completion.
Flower Boy is Tyler, the Creator’s most fantastic, emotionally exciting, and challenging work to date. Even if “maturity” isn’t the right word to describe Flower Boy, the album still represents a significant turning point. Tyler’s most emotionally challenging and rewarding project to date is this, which is also, in a way, more provocative than anything from the peak of Odd Future’s punk rap.