In “Wilshire,” Tyler tells the tale of a bad breakup from the moment he as well as his partner first laid eyes on one another to their separation, all in one take of recording.
To continue the theme of travel, Tyler references various foreign locations throughout the song as he describes how they met, the warning signs his partner displayed while they were dating, their eventual breakup, and the inevitable depressing aftermath. Tyler, who muddles the song with metaphors as well as other allusions, tries to explain through his vulnerable lyricism how he is willing and compelled to keep the relationship going but has decided to scale it back for the benefit of the other person’s mental health.
Tyler raps about a lover who was also his friend in the song “WILSHIRE.” The woman he raps about it was dating his friend, despite the fact that they are secretly lovers. They are good friends who are in love but cannot be together, but they do not act on their love. It is one of the album’s longer songs and is without a chorus. He is merely narrating a tale. It’s sick to hear Tyler spit out his lyrics without features, hooks, or backing vocals. The Wilshire Tyler The Creator also gains lightheartedness and clarity from the soothing instrumental.
On “Wilshire,” Tyler, The Creator recalls a failed relationship with a friend’s girlfriend
The four-verse song, which clocks in at more than eight minutes, finds Tyler reflecting on a failed relationship with a woman who was seeing his friend.
On Twitter, Tyler claimed that on his second attempt, he successfully recorded the track in a single scene. Tyler stated that this album was his most individual and was based on his real-life experiences in another tweet in response to a fan.
The song Wilshire Tyler The Creator is arguably the most intimate on the record. “Wilshire,” which Tyler himself produced, opens with Tyler meeting a woman with whom he clicks immediately. They stay the night at his hotel, but things become complicated when she shares a personal detail.
Tyler tells the woman they can still be friends at the end of the verse because he is reluctant to betray his friend. In the song’s second line, Tyler hangs out with the woman and her boyfriend, who is concerned about the situation.
Tyler remembers how his love interest’s male friend kept people apart, trying to make him jealous as well as depressed, in the third verse. The woman is persuaded to spend an entire week with Tyler in the following line as he shows her the happy life as well as pays for a shopping trip, leaving her boyfriend wondering where she is. He says he needs the woman throughout his life. In his previous two albums, Tyler brought up his sexuality in conversation; however, in this album, he discusses his bisexuality in passing.
In response, Tyler’s romantic interest says she occasionally thinks about him but doesn’t want to hurt her boyfriend. She sobs as they part ways as sit in Tyler’s car. Tyler admits at the song’s conclusion that the relationship has failed, but he nevertheless wants to be friends.
Tyler released a brief promotional video called “SIDE STREET” before the album’s release. The storyline in the clip and the song’s storyline is similar. In the video, Tyler gives a woman a kiss before saying good-bye & driving off. Her boyfriend then approaches the woman and inquires about the mystery man, but she ignores him.
The same actress also appears in Tyler’s “WUSYANAME” video clip, in which Tyler tries to catch her attention only for her to go out to lunch with her boyfriend, who is once more Taco from Odd Future.
It’s unclear whether “Wilshire” will receive a video treatment, though one thing is for sure: it’s one of Tyler’s most intimate songs to date.
Wilshire Tyler The Creator and the battle of vulnerability vs. privacy
Call Me if You Get Lost album examines several themes, such as loneliness, romance, and wealth accumulation. Wilshire Tyler The Creator, an introverted song about heartache in a loving relationship, is one of the songs featured on the album. In the song, almost nine minutes long, Tyler describes his relationship with a woman who was indeed his friend’s girlfriend, as well as the powerful feelings he felt as it ended.
Even though he has “everything,” including wealth, status, and fashionable clothing, “he’s never been extremely envious of another man,” he still lacks a partner with whom to share his possessions. Even in the middle of his professional success, Tyler still seeks companionship, one of humankind’s fundamental needs.
In songs like “LUMBERJACK,” Tyler raps about winning a Grammy for his previous album and how he celebrated by purchasing a new car. Tyler brags about his success all through the entire album. Tyler gives thanks in “BLESSED,” a spoken verse that describes his musical excellence, self-care practices, and clothing line.
Tyler still struggles with loneliness, though, despite all of his achievements. Previous albums by Tyler carry the concept of loneliness, most notably Flower Boy, which featured songs like “911/Mr.Lonely” as well as “Boredom.” Tyler declares that “boredom got a new best friend” in the final song, expressing the emotions that he experienced as a result of his alienation.
But Tyler allows himself to express everything he has gone through in his previous relationship with “WILSHIRE.” Tyler claimed on Twitter that he documented this song in a single take because it lacked a chorus or even other musical structures just after album’s release. Tyler uses streams of consciousness to describe his experience while maintaining a sense of mystery surrounding the subjects of his raps, including his ex-girlfriend and his friend.
Tyler places a higher value on privacy as a way to protect his personal information. Because it protects one’s identity, privacy is essential. Everybody [he] ever adored had to be adored in the shadows, Tyler admitted in the song “MASSA.” The audience is unaware of the characters’ names, the precise locations of his love interest’s residences, etc. Our loved ones’ identities are protected by privacy, yet it also shields our feelings of fear, shame, and jealousy.
Tyler shares his personal experience with heartbreak since he is aware that it is a common emotion affecting many of his listeners. Another, more sinister interpretation of this is that Tyler might attempt to address these emotions to promote his album.
Tyler The Creator shows how to tell a story with “WILSHIRE”
Every artist has a white wooden fence in their front yard. The front door with such a squeaky hinge that signals each entry and exit is present, along with a welcome mat that is worn down by foot traffic. The same residence has a basement. One that is “KEEP OUT” signposted and marked with caution tape. An artist welcomes us into their world and their home with each song. They decide to offer hospitality in addition to keeping their doors open. However, some visitors abuse this benefit and disregard the artist’s vulnerability.
Welcome to the unavoidable struggles and successes of artistic endeavor. Luckily, our minds can think about it in a way our ears can appreciate—gratitude to Tyler, the Creator. Wilshire Tyler The Creator, an eight-minute declaration of love that we can assume he wrote for both himself and a lover, is concealed in his sixth or seventh album, CALL ME IF YOU GET LOST. The problem is that the girl is chosen to take by no other than his friend.
Right before our eyes, Tyler’s heart and mind are now being torn apart. With indisputable “long legs, good ears, and great taste,” pressure comes first. The ill-fated appeal, according to Tyler, is more than just the allure of the candlelit moment. He says, “I ain’t sometimes want to fuck.” “because just being there was enough.” Enter the friend, the subject of Tyler’s interest and the root of all complications.
The manufacturing is simple and yet elegant, and the track has a freestyle-like feel to it. The progression had six chords, looped over a lush synth and heavy drums. The arrangement makes sense, given that Tyler recently revealed on Twitter that the song was recorded using a “shitty handheld mic” in “one whole take.” I’m glad there aren’t any extras because Tyler’s rich gravel enhances the narrative and keeps the audience fully engrossed in the movie that is his life.
When you hear the song “WILSHIRE,” images of the couple cuddling up in their apartment while oblivious to the danger outside its walls come to mind, Tyler can prioritize anonymity while sharing his story. I’m mad private with for this side of my life, he later explains to us, “because people are weirdos.”
It is Tyler’s story. Although the love story is entirely his own, the way he chooses to share it shows that he is not an unselfish lover. He says, “I ‘ve got morals, lines I never could cross, and yet you got something which makes all the great intentions get lost,” feeling hurt but vulnerable and robust despite being tempted. Brief spoken words bookend the verses. Tyler continues the narrative by adding details while writing ironically. Without honesty, you might assume he is only pandering to your emotions. He makes statements that have perhaps been made before by those in his position, such as “You know, I got each damn car, multiple cribs, But it is like, “But I want that,” ha.” And he goes on to say, perhaps too willingly, “I’m a bad person.”
The narrative comes to a close. If you’ve experienced a story like this, opportunities are that tears have found their way into your eyes by the sixth minute of a song. Tears pour into the car that Tyler, as well as his lover, are sitting in. Nevertheless, he manages to win you by admonishing you, “Shit, I cannot look at you and believe bad words. This love affair is now over, so end up leaving all made-up scenarios as well as hoped-for plans just at the door.
Wilshire Tyler The Creator is a source of pride. It’s Tyler’s story, yes, but that doesn’t lessen the courage with which he tells it. The picket fence manages even with his front door fully open. “Safe from the commentary, spotlight, as well as thoughts” applies to the house. There is no shortage of conjecture or fan theories, yet Tyler’s hand is not one of them. Tyler freely and intentionally shares this aspect of his life with us. “I guess you’re yet another chapter of the book,” he tells his lover, “but it’s only a story again for people outside of it.”